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Northern Block1 Basis Grotesque1 Dinamo1 BOAFFF1 Quaria Display1 Franklin Gothic1 Freight Big Pro1 Sometimes Times1 Neue Haas Unica1 Rendell Catbagan1 Neue Haas Grotesk1 Tex Gyre Heros Condensed1 web30001 Talia Cotton1 Standards Manual1 PLAKKIT1 Hanken Design Co.1 Aeonik Fono1 Christoph Koeberlin1 Nylo1 ES Peak1 Termoli1 Ingrid Picanyol Studio1 gc161 Eiko1 Nice1 N271 Silvana1 Sud1 Calhern1 ToY1 Stanley1 DM Mono1 Graphik1 RM Mono1 Roobert1 Moret1 FK Roman1 Tobias1 Matter1 Acumin1 Cucina1 Bagoss1 Jokker1 Cambon1 Pariah1 Futura1 Pitch1 Chaney1 Zimula1 Bureau1 Kreol1 Blank1 Cirka1 Apris1 TenPoint1 Cardinal1 Publish Gothic1 WT Kormelink1 Aeonik Mono1 Rabbit Hole1 Quaria Text1 Bureau Grot1 Moderat1 Maison Neue1 Suisse Int'l1 Ingram Mono1 Monte Stella1 Morris Fuller Benton1 General Type Studio1 Violaine & Jérémy1 Untitled Sans1 Sunset Gothic1 Falling Script1 The Designers Foundry1 TWK Everett1 PIN1 Bw Darius1 Gallique1 Albertus1 Lynstone1 Knockout1 Big Daily1 Steinbeck1 Orbikular1 Cormorant1 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(More)
Project
How to structure a site: Studio Last’s form-meets-function website for EMOP is a digital delight
Winkreative strip away the excess in their minimalistic identity and packaging system for Plainly
Project
Winkreative strip away the excess in their minimalistic identity and packaging system for Plainly
AND ASSOCIATES look to the art of performance for the concept and direction of Proper Dirty FW22
Project
AND ASSOCIATES look to the art of performance for the concept and direction of Proper Dirty FW22
The Edit: five projects including Maxim Aksenov and Evgeniya Dyupina’s website for Ukrainian zoos
Project
The Edit: five projects including Maxim Aksenov and Evgeniya Dyupina’s website for Ukrainian zoos
Typeface
A typeface of extremes: Frost’s Calhern takes typographic flexibility to new cinematic heights 
Sons & Daughters ID show us how to brand contemporary gambling in their identity for Let’s Casino
Project
Sons & Daughters ID show us how to brand contemporary gambling in their identity for Let’s Casino
Interview
“The people are more important than the work.” Alright Studio’s recipe for happiness and success
Studio René Bieder’s Quaria combines the elegance of a serif typeface with the robustness of a sans
Typeface
Studio René Bieder’s Quaria combines the elegance of a serif typeface with the robustness of a sans
Razzia Type take the Didone genre to the next level with their high-contrast sans serif RT Vitrine
Typeface
Razzia Type take the Didone genre to the next level with their high-contrast sans serif RT Vitrine
UnitedUs present a trio of brands for trusted healthcare partner Cambridge Healthcare Research
Project
UnitedUs present a trio of brands for trusted healthcare partner Cambridge Healthcare Research
Present Studio’s identity for Ceramicah thoughtfully epitomises typographic and textural nuance
Project
Present Studio’s identity for Ceramicah thoughtfully epitomises typographic and textural nuance
Tomato Grotesk is a modern grotesk family with simple geometric shapes and accentuated contrast
Store
Tomato Grotesk is a modern grotesk family with simple geometric shapes and accentuated contrast
CUSP express the natural origins of Matthew Fisher’s work in their visual world for The Quarry House
Project
CUSP express the natural origins of Matthew Fisher’s work in their visual world for The Quarry House
Opposites attract: Studio Bang-Gu take us behind the scenes of their San Francisco-based practice
Interview
Opposites attract: Studio Bang-Gu take us behind the scenes of their San Francisco-based practice
Grape, Dirt & Gusto: Studio Chenchen’s identity for Stappa is fitting for the no-nonsense winemaker
Project
Grape, Dirt & Gusto: Studio Chenchen’s identity for Stappa is fitting for the no-nonsense winemaker
Decade revitalise Banana Republic’s brand with an elegant, eclectic and type-driven identity system
Project
Decade revitalise Banana Republic’s brand with an elegant, eclectic and type-driven identity system
Project
How&How adorn their pro-bono identity for Amphico with watery inktraps and lotus-inspired imagery
Alongside DBLG, NaN develop a tech-driven type family for the largest digital display in Europe
Project
Alongside DBLG, NaN develop a tech-driven type family for the largest digital display in Europe
How to design an eye-catching magazine cover, with David McKendrick and Studio Ground Floor 
Insight
How to design an eye-catching magazine cover, with David McKendrick and Studio Ground Floor 
The Edit: five projects including Antonio Golia’s rebellious identity for Monda’s Fast Pizza in NYC
Project
The Edit: five projects including Antonio Golia’s rebellious identity for Monda’s Fast Pizza in NYC
Interview
The joy of building ‘smile in the mind’ obstacles, with OKOK Services’ My Kim Bui and Faris Kassim
Typeface
CoType Foundry launch RM Mono, the fixed-width counterpart of their classic sans serif RM Neue
Studio René Bieder’s humanist sans release Nylo seeks to fully revitalise its typographic genre
Typeface
Studio René Bieder’s humanist sans release Nylo seeks to fully revitalise its typographic genre
Mauricio Garza’s composed, horror vacui-embracing identity for Ardo is both eccentric and accessible
Project
Mauricio Garza’s composed, horror vacui-embracing identity for Ardo is both eccentric and accessible
Erkin Karamemet takes us on a typographic journey behind the scenes with his sans serif Repro
Interview
Erkin Karamemet takes us on a typographic journey behind the scenes with his sans serif Repro
Typeface
Displaay’s powerhouse sans serif Jokker combines comic book character with pragmatic legibility
Project
Hugmun’s calligraphic identity for EnKo Beauty reflects the artistry of founder Caylin McDonie
Michele Verze’s revamp for Bigger Burgers brings fun and flavour to the Verona restaurant brand
Project
Michele Verze’s revamp for Bigger Burgers brings fun and flavour to the Verona restaurant brand
Ingrid Picanyol Studio’s flexible identity system for CMV Architects is crisp, clean and concise
Project
Ingrid Picanyol Studio’s flexible identity system for CMV Architects is crisp, clean and concise
Astrid Stavro on joining the COLLINS family and the exciting challenges her new role will bring 
Interview
Astrid Stavro on joining the COLLINS family and the exciting challenges her new role will bring 
Studio René Bieder’s Multima reimagines Antique Olive as a multifunctional font for the modern day
Typeface
Studio René Bieder’s Multima reimagines Antique Olive as a multifunctional font for the modern day
CENTRAL’s community-focused identity for Barón Camarón is about eating well and having a good time
Project
CENTRAL’s community-focused identity for Barón Camarón is about eating well and having a good time
Interview
Talia Cotton on working at Pentagram, inspiring students and creating meaningful design with code
Serifs, Styles & Scotch Romans: 8 versatile serif type families that are both pretty and practical
Resource
Serifs, Styles & Scotch Romans: 8 versatile serif type families that are both pretty and practical
Decimal greet you with the globe on their website for accessible satellite imagery platform SkyFi
Project
Decimal greet you with the globe on their website for accessible satellite imagery platform SkyFi
Studio René Bieder’s serif Kreol is a contemporary blend of the old, new, traditional and modern
Typeface
Studio René Bieder’s serif Kreol is a contemporary blend of the old, new, traditional and modern
Hanzer Liccini on how type and graphic design inform both sides of their Berlin-based practice
Interview
Hanzer Liccini on how type and graphic design inform both sides of their Berlin-based practice
KR8 combine science, systems and smileys in organic health drinks brand AJA’s nucleic identity
Project
KR8 combine science, systems and smileys in organic health drinks brand AJA’s nucleic identity
The Edit: five projects including Studio Bang-Gu modular type-driven magazine Play Play Laaaaah
Project
The Edit: five projects including Studio Bang-Gu modular type-driven magazine Play Play Laaaaah
NaN’s contextual-alternative-loaded sans NaN Tresor won’t stop till you have every option possible
Typeface
NaN’s contextual-alternative-loaded sans NaN Tresor won’t stop till you have every option possible
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