Search — The Brand Identity

Project

How to structure a site: Studio Last’s form-meets-function website for EMOP is a digital delight

Winkreative strip away the excess in their minimalistic identity and packaging system for Plainly

Project

Winkreative strip away the excess in their minimalistic identity and packaging system for Plainly

AND ASSOCIATES look to the art of performance for the concept and direction of Proper Dirty FW22

Project

AND ASSOCIATES look to the art of performance for the concept and direction of Proper Dirty FW22

The Edit: five projects including Maxim Aksenov and Evgeniya Dyupina’s website for Ukrainian zoos

Project

The Edit: five projects including Maxim Aksenov and Evgeniya Dyupina’s website for Ukrainian zoos

Typeface

A typeface of extremes: Frost’s Calhern takes typographic flexibility to new cinematic heights

Project

Sons & Daughters ID show us how to brand contemporary gambling in their identity for Let’s Casino

Interview

“The people are more important than the work.” Alright Studio’s recipe for happiness and success

Studio René Bieder’s Quaria combines the elegance of a serif typeface with the robustness of a sans

Typeface

Studio René Bieder’s Quaria combines the elegance of a serif typeface with the robustness of a sans

Razzia Type take the Didone genre to the next level with their high-contrast sans serif RT Vitrine

Typeface

Razzia Type take the Didone genre to the next level with their high-contrast sans serif RT Vitrine

UnitedUs present a trio of brands for trusted healthcare partner Cambridge Healthcare Research

Project

UnitedUs present a trio of brands for trusted healthcare partner Cambridge Healthcare Research

Present Studio’s identity for Ceramicah thoughtfully epitomises typographic and textural nuance

Project

Present Studio’s identity for Ceramicah thoughtfully epitomises typographic and textural nuance

Tomato Grotesk is a modern grotesk family with simple geometric shapes and accentuated contrast

Store

Tomato Grotesk is a modern grotesk family with simple geometric shapes and accentuated contrast

CUSP express the natural origins of Matthew Fisher’s work in their visual world for The Quarry House

Project

CUSP express the natural origins of Matthew Fisher’s work in their visual world for The Quarry House

Opposites attract: Studio Bang-Gu take us behind the scenes of their San Francisco-based practice

Interview

Opposites attract: Studio Bang-Gu take us behind the scenes of their San Francisco-based practice

Grape, Dirt & Gusto: Studio Chenchen’s identity for Stappa is fitting for the no-nonsense winemaker

Project

Grape, Dirt & Gusto: Studio Chenchen’s identity for Stappa is fitting for the no-nonsense winemaker

Project

Decade revitalise Banana Republic’s brand with an elegant, eclectic and type-driven identity system

Project

How&How adorn their pro-bono identity for Amphico with watery inktraps and lotus-inspired imagery

Alongside DBLG, NaN develop a tech-driven type family for the largest digital display in Europe

Project

Alongside DBLG, NaN develop a tech-driven type family for the largest digital display in Europe

How to design an eye-catching magazine cover, with David McKendrick and Studio Ground Floor

Insight

How to design an eye-catching magazine cover, with David McKendrick and Studio Ground Floor

The Edit: five projects including Antonio Golia’s rebellious identity for Monda’s Fast Pizza in NYC

Project

The Edit: five projects including Antonio Golia’s rebellious identity for Monda’s Fast Pizza in NYC

Interview

The joy of building ‘smile in the mind’ obstacles, with OKOK Services’ My Kim Bui and Faris Kassim

Typeface

CoType Foundry launch RM Mono, the fixed-width counterpart of their classic sans serif RM Neue

Studio René Bieder’s humanist sans release Nylo seeks to fully revitalise its typographic genre

Typeface

Studio René Bieder’s humanist sans release Nylo seeks to fully revitalise its typographic genre

Mauricio Garza’s composed, horror vacui-embracing identity for Ardo is both eccentric and accessible

Project

Mauricio Garza’s composed, horror vacui-embracing identity for Ardo is both eccentric and accessible

Erkin Karamemet takes us on a typographic journey behind the scenes with his sans serif Repro

Interview

Erkin Karamemet takes us on a typographic journey behind the scenes with his sans serif Repro

Typeface

Displaay’s powerhouse sans serif Jokker combines comic book character with pragmatic legibility

Project

Hugmun’s calligraphic identity for EnKo Beauty reflects the artistry of founder Caylin McDonie

Project

Michele Verze’s revamp for Bigger Burgers brings fun and flavour to the Verona restaurant brand

Ingrid Picanyol Studio’s flexible identity system for CMV Architects is crisp, clean and concise

Project

Ingrid Picanyol Studio’s flexible identity system for CMV Architects is crisp, clean and concise

Astrid Stavro on joining the COLLINS family and the exciting challenges her new role will bring

Interview

Astrid Stavro on joining the COLLINS family and the exciting challenges her new role will bring

Studio René Bieder’s Multima reimagines Antique Olive as a multifunctional font for the modern day

Typeface

Studio René Bieder’s Multima reimagines Antique Olive as a multifunctional font for the modern day

CENTRAL’s community-focused identity for Barón Camarón is about eating well and having a good time

Project

CENTRAL’s community-focused identity for Barón Camarón is about eating well and having a good time

Interview

Talia Cotton on working at Pentagram, inspiring students and creating meaningful design with code

Serifs, Styles & Scotch Romans: 8 versatile serif type families that are both pretty and practical

Resource

Serifs, Styles & Scotch Romans: 8 versatile serif type families that are both pretty and practical

Decimal greet you with the globe on their website for accessible satellite imagery platform SkyFi

Project

Decimal greet you with the globe on their website for accessible satellite imagery platform SkyFi

Studio René Bieder’s serif Kreol is a contemporary blend of the old, new, traditional and modern

Typeface

Studio René Bieder’s serif Kreol is a contemporary blend of the old, new, traditional and modern

Hanzer Liccini on how type and graphic design inform both sides of their Berlin-based practice

Interview

Hanzer Liccini on how type and graphic design inform both sides of their Berlin-based practice

Project

KR8 combine science, systems and smileys in organic health drinks brand AJA’s nucleic identity

The Edit: five projects including Studio Bang-Gu modular type-driven magazine Play Play Laaaaah

Project

The Edit: five projects including Studio Bang-Gu modular type-driven magazine Play Play Laaaaah

NaN’s contextual-alternative-loaded sans NaN Tresor won’t stop till you have every option possible

Typeface

NaN’s contextual-alternative-loaded sans NaN Tresor won’t stop till you have every option possible