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Insight
How important is type as an ingredient in filmmaking? We asked CHIPS, SPIN and Quentin Coulombier
Interview
The Freelancers: Julia Miceli Pitta on freedom, flexibility, and facing new challenges in her work
Project
Injected with energy: Village Green craft a fluid, shape-shifting identity for Bob Industries
Project
Rabbithole vibrantly rebrand Hyde Park Picture House, the world’s one and only gaslit cinema
Project
Cinematic scenes: Pol Solsona Studio’s identity for Cinemaissí reflects the festival’s vibrancy
Project
How Studio Gonzalo Hergueta rebranded the Grammy award-winning production company Little Spain
Project
COLLINS’ bespoke typographic identity for Freeform acts as a reactive platform for unheard voices
Project
Mythology share the creative flow and process of their branding projects in Work in Progress 2023
Project
How Wes Anderson inspired U.I.WD.’s vibrant rebrand of bi-coastal production company Caravan Club
Interview
Collaborative in name and nature: London-based studio In-Col on the importance of other people
Interview
Alex Ostroff on Saint Urbain’s cosmic new site and creating unique voices that tell amazing stories
Project
The Edit: five projects including PORTO ROCHA’s timeless identity for the Sundance Film Festival
Project
Julia Miceli Pitta links liquid and light for Libre Film Festival’s cinematic identity system
Project
How Barkas brought the Danish National Film School into a new era with a fresh yet faithful look
Interview
“I just love this endless exploration!” Tatiana Egoshina on why she thrives in the design world
Interview
The Freelancers: Whitney Badge details the inspirations and insights behind her creative practice
Interview
Vedros Studio on working remotely, globally, and the abundant creative inspiration of travelling
Interview
Gregory Page on his design practice so far, beautiful new website and bright plans for the future
Project
The Edit: five projects including Ingrid Picanyol’s campaign for Torelló Mountain Film Festival
Interview
Janny Ji on working with both graphic design and illustration, and honing her skills at Pentagram
Project
Studio Kiln’s identity for storytelling platform Alexander balances playfulness with maturity
Interview
The Freelancers: Natalee Ranii-Dropcho on realising her niche, hiking mountains and staying curious
Interview
Hanzer Liccini on how type and graphic design inform both sides of their Berlin-based practice
Interview
Connor Campbell on getting his start in animation and the future of his London-based motion studio
Resource
Serifs, Scripts & Screens: 8 television shows and movies with a spectacular use of typography
Project
Vedros Studio’s overhaul of the Academy Museum explores a dedication to cinema’s legacy and craft
Interview
Cris Mascort on her career journey, working around the world and the importance of your health
Project
Barkas’ collaborative and perspective-defying brand for CPH:DOX embodies the festival’s energy
Project
Decimal bring musicians and fanbases together with their bright and bouncy identity for Echio
Project
The Edit: five projects including République Studio’s spatial identity for Bien Vieillir Ensemble
Project
Forth + Back’s athletic rebrand for Farm League draws on their collaboration and passion for sport
Project
Saint Urbain’s identity for Cottage M highlights the distinction between artist and artwork
Project
HOLT’s striking identity system for Studio Blackbird reinforces the mastery behind the scenes
Project
Studio Ingrid Picanyol’s Rising Seas campaign uses experimental print processes as an urgent CTA
Project
A LINE’s vibrant identity for Snog Productions turns Druk into a “cheeky and passionate” kiss
Interview
Demande Spéciale’s Guillaume Lavallée on taking risks, designing products and presenting projects
News
PLACARD enlists 17 studios to design posters in celebration and support of London’s Rio Cinema
Project
PORTO ROCHA devise a maximalist, vibrant and unpredictable identity for Netflix Brazil’s Tudum
