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Black16
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Gunnar Harrison1
Geoffrey Taylor1
Studio Chenchen1
Tashina Maria1
Actual Source1
Robert Huber1
Josu Loizaga1
SCCO Studio1
Gesture Systems1
Alright Studio1
how by why1
Matt Willey1
Plus Mûrs1
Soft Power1
Sometimes Always1
Concrete1
Output1
Emdash1
CHIPS1
High Contrast1
Inktraps1
Squared1
Light1
Insight1
Resource1
Japan1
Erik Herrström1
Sticker1
Martín Azambuja1
OPENCITYDESIGNCO1
Art Company Mono1
Franklin Gothic1
Editorial New1
Respira Black1
Suisse Int'l1
Emeritus1
Medium1
Chaney1
Pariah1
Eiko1
N271
Pangram Pangram Foundry1
Morris Fuller Benton1
Regan Fred Johnson1
Swiss Typefaces1
Happening Studio1
Jessica Hische1
Atipo Foundry1
Blaze Type1
Sharp Type1
Dinamo1
Lineto1
Vernacular1
Everything Will Be Fine1
A.A. Trabucco-Campos1
Norway1
Amateur Dot Rocks1
Cardboard1
Austria1
Finance1
Maroon1
Melbourne1
Fremantle1
Marseille1
Los Angeles1
Salt Lake City1
Prince Edward Island1
The Edit1
The Designers1
Hairdressing1
Photography1
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Portland1
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Coated Paper1
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Type On A Path1
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Bilbao1
Vienna1
Oakland1
Toronto1
Glasgow1
ABC Monument Grotesk1
Insight
Remote or in the studio, what’s better? We asked Alright Studio, B&B Studio and Happening Studio
Project
The Edit: five projects including Everything Will Be Fine’s wavy identity for Lost Shore Surf
Project
Grape, Dirt & Gusto: Studio Chenchen’s identity for Stappa is fitting for the no-nonsense winemaker
Interview
Vernacular’s Artificial Typography uses AI to boldly blend together type and the history of art
Resource
Serifs, Scripts & Screens: 8 television shows and movies with a spectacular use of typography
Interview
SCCO Studio’s Jarmaine Stojanovic on his unconventional journey into the graphic design industry
Project
Geoffrey Taylor combines modern nuance with historical letterforms for Shinko’s composed identity
Project
how by why opt for ‘Medieval Modernism’ in their identity for Australian photography duo Bas&Chris
Project
Gesture Systems’ identity for DoubleDouble takes inspiration from the internet’s bygone years
Project
Sometimes Always’ multi-faceted identity for Miilkiina is cool, complex and considered
Interview
The Designers: Actual Source’s Gunnar Harrison on research, personal projects and more
Project
Erik Herrström captures EMIR's sound through a contemporary take on blackletter typography
Project
Plus Mûrs' identity for Wasted Paris plays on an important piece of German typographic history
Project
Amateur Dot Rocks' identity for Studio Lore is based around a phonetic alphabet-inspired typeface
Project
Buatsi by Soft Power
